Comp Compressor Pedal
MXR Dyna Comp Compressor Pedal
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MXR M-102 Dyna Comp Compressor Guitar Effects Pedal Standard $69.99 MXR M-102 Dyna Comp Compressor Guitar Effects Pedal Standard |
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MXR CSP202 Custom Comp Compressor Pedal $129.95 The MXR Custom Comp is built from the finest components available and designed with a blend of modern and classic compressor technology. At the heart of the pedal resides the legendary and rare CA3080 “metal can” IC that delivers increased dynamic range, greater transparency, and quieter operation. In addition, the MXR Custom Shop design team included RF suppression components for interference-free operation, and an internal Attack control that allows fine tuning of the speed of the note’s initial attack. Combined with a TPDT (Triple Pole Double Throw) switch for true bypass and heavy duty pots, the MXR Custom Comp will provide years of high performance live and in the studio. |
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MXR M-132 Super Comp Compressor Guitar Effects Pedal $79.99 The MXR M-132 M-132 Super Comp Compressor Pedal is an improved version of the legendary Dyna Comp. This is the guitar effects pedal that's the ultimate source for the "Nashville sound." Attack level control preserves initial volume without sacrificing sweet sustain. Sensitivity control lets you dial in just the right amount of compression. The Super Comp effects pedal has a super-tough housing with bypass footswitch and LED. |
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MXR Custom Shop CSP202 Custom Comp Compressor Guitar Effects Pedal $129.99 The MXR Custom Comp effect pedal is built from the finest components available and designed with a blend of modern and classic compressor technology. At the heart of the compressor pedal resides the legendary and rare CA3080 "metal can" IC that delivers increased dynamic range, greater transparency, and quieter operation. In addition, the MXR Custom Shop design team included RF suppression components into the compressor pedal for interference-free operation, and an internal attack control that allows fine-tuning of the speed of the note's initial attack. Combined with a TPDT (Triple Pole Double Throw) switch for true bypass and heavy-duty pots, the MXR Custom Comp CSP202 compressor pedal will provide years of high performance live and in the studio.The MXR compressor pedal can be powered by one 9V battery (sold separately). |
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MXR Custom Shop CSP202 Custom Comp Compressor Guitar Effects Pedal Standard $129.99 MXR Custom Shop CSP202 Custom Comp Compressor Guitar Effects Pedal Standard |
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MXR M-102 Dyna Comp Compressor Guitar Effects Pedal $69.99 The MXR M-102 Dyna Comp Pedal creates infinitely clean sustain. It uses a signal-limiting processor that varies its gain so that the output signal stays constant. The MXR M-102 Dyna Comp Pedal features Output and Sensitivity knobs and LED on/off indicator. |
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T-Rex CompNova Compressor Pedal $199.99 Hand built in Denmark, the Comp Nova guitar effects pedal is easy to use and delivers uncolored sound with awesome clarity, detail, and dynamics, even at extreme compression levels. It's designed for guitarists who want to thicken up and smooth their tone and who crave that much sought-after "chime." Very subtle and transparent even at full sustain. Great for blues and jazz. Controls include an Attack knob which adjusts both attack and threshold, plus Compression and Volume knobs. (The Volume knob has unity gain in the 12 o'clock position and delivers a 3dB boost at the maximum setting.) 9V battery operation. |
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Carl Martin Compressor/Limiter Guitar Effects Pedal $269.5 The Carl Martin Compressor/Limiter Pedal was specially developed to incorporate the same features and sonic clarity found in high-quality professional studio compressors. To achieve this Carl Martin incorporates a variable threshold, compression ratio, and attack/release controls and of course, a gain level. General Guidelines on the use of the Compressor/Limiter: Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument. Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting. Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require silent limiting, you should use fast times. Gain: Working clockwise, sets the overall gain. Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied. The Carl Martin Compressor/Limiter Pedal is ruggedly built by hand in Denmark. |
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MXR Custom Shop CSP-028 Vintage Dyna Comp Compressor Guitar Effects Pedal $174.99 In the quest for ultimate tone, a compressor is an indispensable ally. And the MXR Dyna Comp that was produced in 1976 has long been regarded as one of the ultimate stomp box compressors ever made. There's something inherently musical in the way this compressor pedal "tightens up" a guitar signal, raising the volume of quiet notes and leveling off peaks to create rich, full bodied sustain. From country twangers to metal monsters, guitarists have long relied on the MXR Dyna Comp pedal to make their riffs stand tall in any live or studio mix. Now the MXR Custom Shop brings back that highly sought-after sound with the '76 Vintage Dyna Comp. Meticulously researched and superbly crafted, the compressor pedal features the exact same circuitry used in the original 1976 Dyna Comp, identical in its component layout, silkscreen and handmade wire harness. The key component is the old school CA3080 "metal can" integrated circuit (IC), which yields quieter operation, greater transparency and increased dynamic range. These ICs have been out of production since the '80s, but MXR has tracked down a stash of them—enough to produce a limited run of these little red boxes of compression bliss. The MXR Custom Shop '76 Vintage Dyna Comp effect pedal can be powered by one 9-volt battery accessed through the bottom of the pedal. |
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Carl Martin Classic Opto Compressor Guitar Effects Pedal $135.1 An optical compressor performs gain reduction control via a light source into a photosensitive cell. As the light source gets brighter, the photo-sensitive cell sends a signal to reduce dynamic range, or what becomes a compressed signal. The Classic Opto Compressor pedal's four controls (from left to right) are the Gain, which controls the 'pre-glow' of the optical circuit (the more you turn this up, the fatter the sound); Level, which controls the overall volume of the compressor; Compression, which controls how hard or soft the compression is; and the Attack control, which takes the signal from transparent to outright total squeeze. The Bypass footswitch engages or bypasses the pedal. The red LED will be on when the compressor pedal is engaged. The Gain knob adjusts how much of the guitar signal you load the circuitry with. If you set the knob at left the compressor will not be very effective, the more you turn right the more effective the compressor becomes. The Carl Martin compression pedal can go from a very mild soft compression to really hard, beefed-up compression at full right. The gain knob will be interactive with the rest of the knobs, so the harder you load the circuitry, the more effective the Comp knob gets.The Carl Martin pedal's Level knob adjusts the output level from the pedal to match your clean sound. This is helpful when you are finished setting the gain, comp, and attack knobs, for the comp effect you want. The level knob can go from below unity level to several dB boost, so you can actually use the Carl Martin Classic Opto-Comp as a boost sustain pedal, to make your singing lead cut through to the audience.When you have set the gain knob to the right amount of signal you want to be compressed, set the amount or degree of compression on the Comp knob, going from nearly nothing at full left, to extreme hard compression at full right. The efficiency of the knob depends on how the gain and attack knobs are set.The Carl Martin Classic Opto compressor pedal's Attack knob adjusts and sets how fast the attack/release time shall be. At full left, the attack is fast, giving the compression a more neutral limiter presence. At full right, the compression is much more effective, providing a setting more suitable for fingerpicking style.The Carl MArtin compressor pedal comes in a solid die-cast housing with cool chicken-head knobs, CM color and graphics and a 9v battery compartment. |
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MXR M132 Super Compressor Pedal $79.95 Countless pros rely on the original DynaComp to give them the edge in the studio an on stage. Now, the updated Super Comp takes your playing even further, providing an invisible boost to intricate licks, juicing up your sound, and helping you “lock in” like never before. Output and sensitivity knobs let you dial in the perfect setting to keep your parts where they belong in the mix. |
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Jim Dunlop M102 Dyna Comp Effects Pedal $81.47 Guitar compressor pedal : Evens out the volume of sustained tones for mellow lead work : Can produce nice percussive, clicky sound on a clean guitar : Output knob sets compressed (attenuated) output level : Sensitivity knob sets compression ratio |
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Keeley Compressor Guitar Effect Pedal Standard $229 Keeley Compressor Guitar Effect Pedal Standard |
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Audient Black Comp Audio Compressor Standard $450 Audient Black Comp Audio Compressor Standard |
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MXR M-132 Super Comp Compressor Guitar Effects Pedal Standard $79.99 Output control. Sensitivity control. Attack level control. Bypass footswitch with LED. Heavy-duty housing. |
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Visual Sound V2 Series V2CMP66 Comp 66 Compression Guitar Effects Pedal $99.95 As a part of its V2 Series of pedals, Visual Sound is proud to announce the arrival of its original Compressor now in a single pedal called Comp 66. As soon as the Route 66 pedal came out in 1999, Visual Sound started getting request upon request for the compressor channel to be made into a single pedal. Well here it is! This new effect pedal can sound like the vintage Dyna Comp or Ross compressor, only much more versatile. The Visual Sound V2CMP66 Comp 66 is a compression pedal that has a switchable Tone Control knob and a clean/boost preamp controlled by the Gain knob. The Comp 66 is a powerhouse of compression that's as quiet as a church mouse!Equipped with level knobs for Comp, Tone, and Gain, it can be set for classic squash or clean boost with the unique preamp stage and Gain knob. This allows for a truckload of clean gain. The tone control can be switched on for maximum control, or off to simplify your tone control to just your instrument knob. 1/4" jacks in and out.Features a die-cast aluminum housing, ultra-reliable 10-million cycle switching, easy battery access, and circuit protection from AC adapters. |
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Behringer DC9 Dynamics Compressor Pedal $29.99 The Dynamics Compressor DC9 effects pedal smoothes out volume peaks which provides your playing with super-tight dynamics. |
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Visual Sound V2 Series V2CMP66 Comp 66 Compression Guitar Effects Pedal Standard $99.95 The ultimate comp pedal. |
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Markbass COMPRESSORE Bass Pedal $199.99 Markbass Compressore is a high-quality tube compressor pedal that features all the individual controls normally found on professional studio outboard compressors: gain, threshold, ratio, attack, release and volume. Not only designed for bass, this Markbass pedal can also be used with guitars or any acoustic or electric instruments, in either live or studio applications, thanks to its state-of-the-art component quality. The bass pedal's ECC 81 tube compresses your signal, evening out the sharp peaks of your playing in a natural, transparent way. At the same time, it also adds warmth and harmonics to your sound. Like all Markbass pedals, this one features "true bypass." So when the compressor is off, your signal goes directly from the input jack to the output jack without any degradation of audio quality. While some compressor pedals offer individual control of nearly all compression parameters, the controls on most comp boxes adjust two simultaneously, and some only have a single "compression" knob. The Markbass Compressore features all the individual controls you would normally find on professional studio outboard compressors. |
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EBS MultiComp Multi-Band Compressor Pedal $199 The EBS MultiComp is a high performance, analog compressor pedal, with a choice between solid state, tube simulation and multi-band compression. |
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Modtone Lemon Squeeze Compressor Guitar Effects Pedal Standard $79.95 Modtone Lemon Squeeze Compressor Guitar Effects Pedal Standard |
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Danelectro DJ-9 Surf & Turf Compressor Guitar Effects Pedal Standard $29.99 Danelectro DJ-9 Surf & Turf Compressor Guitar Effects Pedal Standard |
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Carl Martin Compressor/Limiter Guitar Effects Pedal Standard $269.5 Carl Martin Compressor/Limiter Guitar Effects Pedal Standard |
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Line 6 ToneCore Constrictor Compressor Guitar Effects Pedal Standard $64.99 Line 6 ToneCore Constrictor Compressor Guitar Effects Pedal Standard |
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Pigtronix Philospher’s Tone Compressor/Sustainer Guitar Effects Pedal Standard $169 Pigtronix Philospher’s Tone Compressor/Sustainer Guitar Effects Pedal Standard |
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Seymour Duncan SFX-09 Double Back Compressor Guitar Effects Pedal Standard $157.95 Seymour Duncan SFX-09 Double Back Compressor Guitar Effects Pedal Standard |
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Electro-Harmonix XO Bass Metaphors Compressor Effects Pedal Standard $123 Electro-Harmonix XO Bass Metaphors Compressor Effects Pedal Standard |
December 14th, 2007 in
Uncategorized | tags: barry, compressor, dynacomp, guitar, mxr m-102 dyna comp compressor pedal
